Regina’s spine healed, and her physical therapist taught her to channel all her rage into sports. It was perfect, because the jock girls weren’t afraid of her.
your arrogance and conceit, your selfish disdain for the feelings of others, made me realize that you were the last man in the world I could ever be prevailed upon to marry.
Aquaman reveals first look at the exotic Fisherman King
In this scene, King Orm (Patrick Wilson, not shown) has gone to the Fisherman King (played by Djimon Hounsou, that guy with the trident — and more on that in a minute) to enlist his help to declare war on the ocean-polluting surface world. There’s also the Fisherman Queen (Natalia Safran) and Princess (Sophia Forrest) on the left, and a royal guard on the right. Though you can’t tell in this shot, all of them have tails instead of legs.
“After the fall of Atlantis, some of the kingdoms evolved and some devolved,” explains producer Peter Safran. “This is one that evolved. This is a kingdom that’s primarily artistic and cerebral, with poets and philosophers.”
So, okay. I don’t wanna be a traitor to my generation and all, but I don’t get how guys dress today. I mean, c’mon, it looks like they just fell out of bed and put on some baggy pants, and take their greasy hair—ew!—and cover it up with a backwards cap and, like, we’re expected to swoon? I don’t think so!
In the early 90s, a digital typeface designed in the 80s – but based on the letterforms used in a Roman column completed in 113 AD – became the go-to typeface for movie poster designers. (Reminder: everything is a remix.) It was used on posters for movies like The Bodyguard, Crouching Tiger Hidden Dragon, Children of Men, and Quiz Show. This Vox video details the rise of the Trajan typeface in movie poster design and why its not used that often by big movies anymore.
You can never tell who your enemies are, or who to trust. Maybe that’s why I love animals so much. You look in their eyes, and you know exactly what’s in their hearts. They’re not like people.
“Wonder Woman can be very charming and warm and have so much compassion and love for the world. She can be soft and naive. At the same time, she just happens to be this demigoddess who can beat the shit out of you and can be a super badass and smart and confident. Ultimately, she’s very relatable.“ – Gal Gadot as Diana Prince/Wonder Woman in the DC Extended Universe
The songs that made her famous—“The Greatest Love of All,” “I Wanna Dance With Somebody (Who Loves Me),” “One Moment in Time”—tell you almost nothing about Whitney Houston, who, as Kevin Macdonald’s new documentary vividly catalogues, had more than her share of secrets. “Whitney” is not the first posthumous documentary about the singer, but it goes startlingly deep, both in the damage it dredges up and in the context it gives to her achievements.
House of Brat 