They are not supporting him. But since the majority is đđ» they donât care, do not talk about, simply forgot that he is their friend, at least Harry thought so. đ
Unfortunately itâs times like this where Harry needs his friends so that heâs getting other opinions to listen to. He needs to hear/get feedback from people who have known him a long time.
Thatâs the most amazing part of this. The reporters, the photographers, everyone has known this. Theyâve known his pr is fake. They know his an insecure little shit with a crippling fear of losing the spotlight. They know all of this,
And theyâve all been playing this weird privacy kabuki with him. He pretends to be private and they pretend to chase him and meanwhile there are leaks and posed pap pic everywhere.
And they all know what this relationship is all about. She desperately wanted to be Di 2.0, and he desperately wanted a new mummy, and they both wanted endless press. VoilĂĄ, they get hitched and get press forever.
âHarry is losing the plotâ What do mean by this? â> The amount of negativity this relationship is attracting is unbelievable! Harry is trying to âfixâ/sort of a way to find his way back, but it isnât working. I cannot share much. đ *things are getting heavier. No wedding cheerful winds blowing*
Eh, to me, it looks like makeup, differences in tweezing, and aging. If you compare anyoneâs juvenile/teenage self to adult, the nose is always going to look bigger in the teenage photo since oneâs nose grows first and then the rest of the face catches up afterward.
Oh my god, this wedding. She found the photogropher on Insta, the cake through her crap blog and the florist through Google.
I canât with her âsheâs a total mess but that just makes her relatableâ press drive. Ugh.
âDespite being the preferred supplier for public and private events hosted by Kensington Palace, Craddock was said to have been stunned when she was contacted by a representative for the royals and informed she had been chosen.â
So, KP regularly contracts with this florist, but MM found herâŠ
The Duke and Duchess of Cambridge are very pleased to share two photographs of Princess Charlotte and Prince Louis, taken by The Duchess at Kensington Palace.
This image was taken on 2nd May, on Princess Charlotteâs third Birthday.
This image of Prince Louis was taken by The Duchess of Cambridge at Kensington Palace on 26th April.
The Duke and Duchess would like to thank members of the public for their kind messages following the birth of Prince Louis, and for Princess Charlotteâs third birthday.
ââKate doesnât go enough engagementsâ LOL can we talk about the duchess of Cornwall aka Camilla who hardly does any engagements and she will be queen consort very soon? Iâm pretty sure Catherine does more engagements than her but people still have the nerve to criticise her. She has three young children-whatâs Camillaâs excuse?â – Submitted by Anonymous
âWhen (Sofia Coppola) asked me lightly, âWould it matter if I leave out the politics?,â I replied with absolute honesty, âMarie Antoinette would have adored that.â â Antonia Fraser
The FIRST ORDER reigns. Having decimated the peaceful Republic, Supreme Leader Snoke now deploys his merciless legions to seize military control of the galaxy. Only General Leia Organaâs band of RESISTANCE fighters stand against the rising tyranny, certain that Jedi Master Luke Skywalker will return and restore a spark of hope to the fight. But the Resistance has been exposed. As the First Order speeds toward the rebel base, the brave heroes mount a desperate escapeâŠÂ Star Wars: Episode VIII – The Last Jedi (2017)
Itâs a lie. Itâs a bunch of sad strangers photographed beautifully, and⊠all the glittering assholes who appreciate art say itâs beautiful âcause thatâs what they wanna see. But the people in the photos are sad, and alone⊠But the pictures make the world seem beautiful, so⊠the exhibition is reassuring which makes it a lie, and everyone loves a big fat lie.
Female cinematographers: Rachel Morrison Black Panther (2018) Directed by Ryan Coogler Aspect Ratio: 2.39 : 1
âIf thereâs anything consistent about my work itâs not flat. The criticism of Marvel movies whether itâs in the cinematography or in the Digital Intermediate is that sometimes sort of lack contrast and saturation. That certainly isnât true of my work from the outset, so hopefully the look weâre presenting will hold through to the end. But I think in making something so big, if you take for example an exterior day scene thatâs shot over 15, 20 days youâre not gonna have all sunny days so what happens at the end of shooting when itâs half sun and half cloud. The natural tendency is to lean into something in the middle, to kind of flatten out the contrast on the sunny day and maybe try to bump up the contrast on the cloudy day and find somewhere to meet in the middle. That was my biggest concern going in was that we donât allow that to happen, so we would throw hard light at people on cloudy days just to kind of increase the contrast.â â Rachel Morrison
âWakanda is strong enough to help others and protect ourselves at the same time.â Bell Hooks argues that Black Women go beyond just resisting sexism and racism. They reinvent themselves through alternative texts that take control of how audiences look at them. It takes the gaze of Black women and contests and interrogates the vision of their embodiment on multiple levels.
Nakia (the external spy of Wakanda)Â is a character that does just that, not only taking apart the White saviour trope as a Black African woman saving her people but being beyond a romantic partner as someone who can intellectually think about her own pursuits. She is an intellectual who is aware of Africanâs colonial history and she is able to think about the security of her people, while thinking about Black people and people at large. Her story pursuits are not stagnant and neither is her story in Black Panther (2018) dir. Ryan Coogler
Audrey Hepburn in Sabrina (1954) dir. Billy Wilder
I have learned how to live, how to be in the world and of the world, and not just to stand aside and watch. And I will never, never again run away from life. Or from love, either.Â
House of Brat 